Nick Offerman defines good luck—and how to make your own

Nick Offerman's new film is Hearts Beat Loud, in cinemas June 8. Watch the trailer here: https://www.youtube.com/watch?v=PXNOg_SK7Vs and visit https://ift.tt/2sSgnDd for all the details. To explain what good luck is and how to create your own, Nick Offerman leans on the wisdom of Tom Waits, Socrates, Tom Jefferson and Nick Offerman. Luck is one part preparation and one part opportunity. And contrary to popular notions of luck as fate, both preparation and opportunity are things you can actively create. To achieve either, however, it's important to trust yourself and your abilities, and to take risks that may take you out of your comfort zone. Read more at BigThink.com: https://ift.tt/2Mb9Axb Follow Big Think here: YouTube: http://goo.gl/CPTsV5 Facebook: https://ift.tt/1qJMX5g Twitter: https://twitter.com/bigthink What are my feelings about serendipity versus gumption, luck versus elbow grease. When do you give up on your dream? When do you throw in the towel, et cetera? There’s an old quote that I attribute to Tom Waits but I believe it might go back to Socrates. “Luck is when opportunity meets with preparation.” And I’ve always found that deeply moving because Megan and I talk a lot, my wife and I talk a lot about how lucky we are. We’re both blessed with whatever it is: She’s beautiful and an incredible actor and smart as a whip and a really talented singer. I can carry a great deal of luggage and I can experience extreme temperatures for a long time without any sustenance. We have our gifts, and somehow our paths have taken us to places where people said “We were looking for someone who can carry luggage. We’re doing a play about a donkey. You’re the guy.” And so I mean, so much serendipity plays into it. I lived, I chose to live like an asshole for some years and it’s a tough choice. It borders on irresponsibility. I would be just this side of broke. So sometimes I’d run out of money and I’d have to borrow a month’s rent from my friend. But I would then find carpentry work and pay my friend back. So I was just this side of being a deadbeat. I was flirting with deadbeatism. And it’s a big question in Hollywood, and a lot of people make a lot of money off of people’s dreams. You can pay a great deal of money for headshots and for acting classes and coaching and life coaching and personal training and all that stuff. And they’ll all tell you – and there are really gross people who claim to have the secret. “Come to my acting workshop and I’ll have three casting directors there from, you know, one of them was an assistant on 50 Shades of Gray Matter.” And whatever the case may be, it’s a question people wrestle with all the time. Will I ever make it? Is it ever going to happen for me? When should I throw in the towel and move back to Cleveland and see my family and my children and my congregation, because I’m a priest with kids in Cleveland? And so all I can say is it’s a very personal thing; to each their own. You’ve got to keep working hard. We’ve talked about having a discipline. If acting is your bag, you know, I always tell people if they say “How can I get my kid to where you are?” I say take up woodworking but also find whatever stage, find the biggest stage you can that you can get onto and perform in front of an audience, whether you’re doing standup or theater or musicals or sketch comedy. Or start shooting stuff. Now we live in an age where you can literally start your own TV channel right now using your gadgets. And just let the world tell you. Shoot videos. Show them to people. And they’ll tell you if you should keep doing it. And if you’re good, if something’s meant to happen when people see you on stage or they see your videos they’ll say “Holy, you know what? I’m going to somehow help you. That was amazing. You can tap dance, you can play the tuba. That face you make.” Whatever it is. “I’ve never seen anyone drink that much beer in 90 seconds. I’m going to call my friend. He has a show called Jackass. We’re going to get you on your way.” And so I mean I started in the theater. I was terrible at acting. I wanted to be an actor. I thought I had something that I could entertain people, so I got into theater school in Illinois and I was terrible! I couldn’t get cast—with good reason.